Wake Me Up When December Ends

I am having such a good day. I just found out that Helen (you know Helen) has passed her master's with a distinction, Ellen (you know her too) has done a mega work-thing, and me... well, just the little matter of me getting name-checked in the December round-up on Exeunt

As day's go, this one is proving to be pretty spectacular. I am ridiculously happy. Stupidly happy. Deliciously happy. Okay, maybe not deliciously. That one's weird. But the others: definitely. I can't stop smiling.

"I like your coat darling!" says a rando bloke on the road.

"Thanks!" I say cheerfully. It is an amazing coat. 

"Can I get your number?" he says. "Hey! Hey! Hey!"

But my coat and I are already bouncing away. Nothing can touch me today, not even...

A man rolls down the window of his white van to wolf whistle in my direction. 

It's such a cliche I almost laugh in response.

Honestly, this whole smiling thing is dangerous.

Oh well, I make it the rest of the way to Bloomsbury without further incident. 

Signs decorate the railings with messages supporting the university pension strike. Can't say I completely understand the intricacies of it all. Or even the basics. But frankly, I'm too worried about my own lack of pension to care about anyone else's.

Oh well, I'm here now. The Bloomsbury Theatre. My second and last visit. I skip up the steps and head into the bright foyer. More steps and up to the box office.

I set my shoulders. In the reminder email from UCL Event Ticketing, they tried to convince me that I don't need a ticket. That I can just show my confirmation email on the door. Well, I'm not having it. I want a proper physical ticket, and nothing is going to stop me.

"Hello, the surname's Smiles," I say to the box officer behind the counter.

She taps something into her computer. 

I run through my pleading speech on my head as I wait.

There's a sheet of paper stuck up on the window.

There's a QR code on it. "SCAN FOR THE PROGRAMME!" it says.

processed_IMG_20191128_191208.jpg

Oh dear. They are really committed to this no paper thing. Not even a programme! If this is the modern age, I want none of it.

"Maxine?"

"...yes."

She nods, and a second later my ticket is printing and she's sliding it across the counter.

"Oh... thanks!"

Okay then. Umm. Not sure what to do with myself now.

I decamp to the nearest pillar and set about tearing off the receipt and stuffing it into my bag and eyeing up all the QR codes with suspicion.

There's a group of young people hanging around nearby, jumping up like meercats whenever someone comes through the door.

"Oh! You're seeing this!" they cry in unison.

None of them are scanning the QR codes.

processed_IMG_20191128_191306.jpg

In the corner there's a big set of double doors, guarded either side by ticket checkers. 

I watch as a young man with a suitcase rolls over.

The ticket checkers both look at it.

"Umm," says one. "You can leave it in the office?" He grasps the handle and helps the young man move it inside.

I join the queue.

"First door on the right!" says the ticket checker. "Enjoy the show!"

Through the door and I find myself in a secondary foyer. Doors on the right lead off to various parts of the theatre, while on the right is a small concession desk, with a not particularly generous display of snacks. Galaxy bars and Tyrell's crisps are laid out in rows. I suppose it's hard to make a merch desk look good without programmes to baulk them out.

At the back, there's a proper bar, surrounded by old posters. There isn't much of a queue. That's Gen Z for you. All heading to their seats to sit quietly and get ready for the show. They've probably pre-downloaded the programme and are busy memorising the song order in preparation. Bless them.

Music pours out of the auditorium, from a playlist that must surely be called Green Day's Greatest Hits, because, you guessed it, I'm here to see American Idiot. UCL Musical Theatre Society style.

I go through the first door, as directed. It takes me to the front of the stalls in what is a decently sized theatre. There's a circle overhanging the back, but that appears to be closed for tonight. The walls are covered in those slim wooden planks that are so beloved by higher education theatres. LAMDA has them. ArtsEd too.

processed_IMG_20191128_192415.jpg

The stage is raised, and big enough for the dance performances that happen here occasionally.

I go find my seat. The end of the third row. As is my preference. 

Not the best angle. I'm losing a bit of the stage, in the back corner, but I do get a clear view right into the wings, where I can see the cast jumping up and down as they warm up.

A girl pauses at the end of our row, trying to get in.

The bloke blocking her way reaches down to pick up his glass of beer and then proceeds to not move. Not himself. Not the huge puffer coat on the floor. Or the massive rucksack taking up the entire path.

Seeing that he has no intention of moving any further now that he's rescued his beer, she hops over his mountain and stumbles to her seat.

I think we've discovered who the British Idiot in the audience is tonight.

I glare at him on her behalf.

He doesn't notice. He leans forward to place his glass back down in front of the buffer seat that separates us. I contemplate kicking it over, but I don't want to ruin my boots.

processed_IMG_20191128_192351.jpg

The recorded music stops, and the band takes over, as the cast come out racing.

And can we just take a moment to appreciate those boys wearing mass levels of black eyeliner. I mean... that is some quality audience service going on there.

I am not ashamed to admit that boys wearing eyeliner is a teenage weakness of mine that I never grew out of.

Okay, I am slightly ashamed to admit it, but if me telling you this results in the world just being that tiny bit more kohled up, then my embarrassment will not be in vain.

But then I notice something. The boys may be in eyeliner, but the girls are all rocking the plaid shirt and skater skirt look.

I look down at my outfit.

Red plaid shirt and little skater skirt.

Oh shit.

I swear, before all the theatre gods, this was not intentional. Yes, I love theme dressing, but this time it is just a coincidence. I did not turn up to watch American Idiot, by myself, in costume. I just like tartan. And skirts. I would go so far as to say, those both feature in my top ten things to wear.

I slink down in my seat, hoping that no one else has noticed, and try not to worry about the fact that I'm dressed like a teenager from 2009. Was I even a teenager in 2009? Shit. No. I wasn't. I was already a fully-fledged adult. Christ. That's... let's not talk about that anymore.

I try to concentrate on the story.

There doesn't seem to be much of one.

Oh, sure. There's a plot. Rather a lot of it. But no characters. Just mannequins going through the motions without the hinderance of personality.

The songs are good though.

A girl in my row is having a great time, bouncing around her leg in time with the quality tunes.

And then it's the interval.

An usher comes in with a tray full of ice cream, setting up right in front of the speakers, now gone back to pumping out those hits.

If the usher is worried about damaging his hearing, he isn't letting it show. He's drumming his palms against the back of that box, bopping around, and looking like he is seriously enjoying himself, even if he doesn't manage to sell a single ice cream during the entire interval.

processed_MVIMG_20191128_202703.jpg

It's just not that crowd tonight.

As the lights go down for the second half, there's a massive whoop.

The students are out in force to support their friends. And by the looks of it, a few parents too. I spy a few grey-haired couples amongst the crowd, who don't strike me as massive Green Day fans, but then, I could be wrong. 2009 was a long time ago, after all. Even if I haven't managed to update my wardrobe in the past ten years, doesn't mean the fans weren't busy raising kids and sending them off to university.

They're certainly enthusiastic enough during the applause. It must be something quite mega to see your little darling being up there, on that massive stage, and being all talented and shit. Not something my parents were ever subjected to, a relief on all of our parts, but this lot seem happy about it.

I leap out of my seat and dive into my coat. I need to give some serious consideration to the continued presence of little skater skirts in my wardrobe.

One of the students at my work called me ma'am the other week. He's American, and was holding a door open for me at the time, so I think he thought he was being respectful. But... oof. I can't deny that it really hurt.

I'm going for twin sets and pearls from now on.

At least my coat is cool.

As I trot down the steps and make to push open the glass doors, I pause and look at my reflection.

I bought this coat thinking it would make me look like a Tolstoy heroine, but turns out I giving off more off a Pat Butcher vibe.

Huh.

Still, it's a good day. I guess...

Just rip my fucking throat out already

It's Saturday morning. And I'm still very, very ill.

Okay, it's past noon and I'm mostly just feeling sorry for myself, but the point still stands.

I'm tired. And I have a cough. And the only show I want to be seeing is the immersive drama: The Duvet. Very conceptual. It involves lying under a duvet. And then being left alone for twelve to fourteen hours. Cups of tea are lovingly placed on the bedside table next to you by a silent and unseen presence. Sadly, I couldn't get the funding. So here we are.

At the Bloomsbury Theatre, for another go at the Bloomsbury Fest.

I'm just gonna pause right now and say that I'm actually super grateful for the Bloomsbury Festival because I was having the absolute worst time trying to find a show in the studio space in the Bloomsbury Theatre to book for. Ten months I've been waiting for something to be programmed that not only qualifies for the marathon, but also, you know, is on a day I can actually attend. And yes, the festival has been booking up churchs and common rooms, adding extra venues to my already overlong list, but it's given me the opportunity to check off this one, so... I can forgive it.

This place is surprisingly big. Lots of glass. It could easily be a fancy office block. Home to hundreds of accountants. If it weren't for the oversized scribble of the Bloomsbury Theatre sign I would never have guessed what was lurking inside.

I go in.

The foyer is almost empty except for the excess amount of wood panelling striping the walls. There's a box office off to one side, sealed behind glass walls.

processed_IMG_20191019_121757.jpg

"I'm collecting for Declan?" I don't know why I felt the need to say the name of the show. Something about this place makes me feel like I need to explain my presence. Perhaps because it's a university theatre. And the knowledge that I wasn't clever enough to go to UCL. And now I'm here. Creeping about their theatres.

"The surname's Smiles," I add hurriedly, just in case she thinks that I'm the Declan I'm collecting for. "S. M. I. L. E. S."

The box officer doesn't seem bothered by my stuttering incompetence. From behind her glass screen she looks at her computer. "Is that Maxine?" she asks.

It is.

A man appears at the counter next to me.

He leans in to talk to the other box officer. "We're performing on Sunday," he tells them. "And I was just wondering whether you could tell us our ticket sales."

I don't get to find our how well my neighbour's show is doing, because my box officer is sliding a ticket under her screen.

"Where is the studio?" I ask at the exact same time as she attempts to give me directions.

"That's just downstairs," she says.

I thank her and go in the direction she's pointing.

Wood panelling competes with dark brick walls as each try to prove that they are the most seventies.

Downstairs, the stripes of pale wood win out, as the dark bricks give way to white walls.

processed_IMG_20191019_122035.jpg

It's busy down here. Turns out it's not just me prepared to wake up early on a Saturday morning to see a one man show in a Bloomsbury basement.

That's a cheering thought.

My biggest fear throughout this entire marathon has been the possibility of finding myself as the only audience member at a show. It hasn't happened yet, and by the looks of it, it won't be happening today. Not even close.

"Ladies and gentlemen," calls out a front of houser. "If you'd like to fill in from the front without leaving any gaps, that would be very helpful."

There's a gentle stir towards the door.

I follow them, handing my ticket to the ticket checker, who tears off the tab before waving me though into a small lobby.

There's a table and chairs in here. An old show posters on the wall.

Through another door, and we're in the studio.

It's small.

Well, it is a studio.

But even so. It's a small, dark, room. With rows of chairs, and black-out curtains covering the walls. Nothing more.

processed_IMG_20191019_122140.jpg

Everyone ignores the front of houser's instructions to fill in from the front, and start dotting the rows with their presence.

I slip into the third row, remembering too late that, with my cough, I should be sitting on the aisle. Way too late. More people arrive.

"Are you saving these?" a girl asks.

"No, go for it," I find myself saying before I can stop myself, and a second later, I'm blocked in by a group of young people.

I rummage around in my bag and find a cough sweet. Hopefully, that will tide me over.

It's really warm in here. I'm wearing a sweatshirt. It's a nice sweatshirt. With dinosaurs on it. But it's a sweatshirt none-the-less. And I am rapidly overheating.

Still, it's a one-hander, in a basement studio, in a pre-lunch slot on a Saturday. We're not going to be in here long. I can do this.

Our performer is already on stage. Well, on the bit of the room that isn't taken up by chairs. Well, the bit of room that isn't taken up by his chair. He's sat slumped down. Asleep. Shifting around every few minutes to find a more comfortable spot. Can't say I blame him. These chairs aren't great. I wouldn't want to nap in them either.

People twist round in their seats, watching who comes in.

As they arrive, hands dart up, waving and beckoning the newcomers into the fold.

Eventually, the trickling stops, and the door is shut.

We begin.

Our man in the chair wakes up. I usually wouldn’t name him without a freesheet, but fuck it. I remember it from the website. Our man in the chair, Alistair Hall, wakes up.

He has a story to tell us. It seems to be distressing him. He just got bitten. On the bum. And if a bite on the bum wasn't enough, the biter then drank from him.

As updates to the vampire myth go, this one is truly concerning.

I pull my sleeves down over my wrists. It may be sweltering down here in this basement, but I don't think I've ever felt so aware of the veins under my own skin and I don't want to be giving the potential biters in the audience any ideas.

There is more to the tale then bum biting though. Our new friend has to tell us about a boy. Declan. A friend, yes. But also more than that.

Someone sitting a few rows behind whispers something to their friend.

"EXCUSE ME," cuts back the saviour of the audience.

The whispers stop.

The air is so dry in here. So dry, I can feel my throat rebelling.

I cough, hoping to clear it.

It doesn't work.

I cough again. And again. And again. I can't stop. Every attempt to do so has my entire body shaking with the effort. Now my sleeves are all the way down over my hand as I do my best to stifle the noise in this tiny, overheated room. I coil in on myself in embarrassment, praying to all the theatre gods that this cough will just stop.

I need a saviour. Someone to give me a withering "EXCUSE ME."

Or even a vampire. Fuck it, I'll even take a biter right now if he promises to rip my throat right out.

The girl sitting next to me leans forward and picks something off the floor. "Would you like some water?" she asks, offering me a cup.

"Thank you so much," I whisper back, trying not to choke on my own words.

The water helps. The cough subsides.

Not long after, our tale ends. I was right. It was a short one.

"Thank you so much for the water," I say to me hero as we put on our coats and prepare to leave.

She touches my arm. "No problem," she says with a smile, as if to say: us audience members need to look out for each other. There's probably some truth in that. I've given out my fair share of cough sweets to fellow theatre-goers in need over the years.

I pick up the cup and drain the rest of the water, leaving the empty plastic on the table out in the foyer.

I've got another show to go before my theatre-going is done for the day. Let's just hope my throat can handle it.

processed_IMG_20191019_122129.jpg