Miss Smiles in the library with the chaise longue

It isn’t often that you find yourself in a queue of people waiting to be let inside a library. Well, not outside finals week anyway. And that tends to involve a bit more crying and ProPlus jitters than this group displaying.

“This square’s a bit posh, isn’t it?” said Helen, dropping her voice by at least an octave as we entered the library.

That’s quite the statement from someone I literally met at the Royal Opera House.

I knew what she meant though. Walking over from work, and turning from the West End into Piccadilly is quite the shock. Streets widen, ceilings heighten, and walls whiten. It’s like stepping into a period drama. You can practically hear the rattle of carriage wheels making their way around St James’ Square.

“I wish I could have seen in back in Jane Austen’s day,” she continued in a whisper.

It’s amazing how even out-of-hours the papery-silence of a library’s atmosphere gets to you.

As if on cue, the line shifted forward, bringing into view the most extraordinary day-bed. Built on a scale suitable for giants, and upholstered in a whisky coloured leather, this seemed better suited to Byron’s hangover than Mrs Bennett’s vapour attacks, but I’m never one to pass up the opportunity presented by a fainting couch.

“Do you want me to take a photo of you on it?” asked Helen.

I pretended to consider this for a full half-second before dropping my bag and sinking myself into the squashy leather surface.

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Oh yeah. That’s the stuff. I need to get me one of these.

I wonder if the library would consider loaning it out to me. I’ll bring it back, I swear!

Photoshoot complete, we headed to the makeshift box office. Now, in theory I had an e-ticket, but if this marathon has taught me anything, it’s that one must always check in at the box office. You never know what you’re going to get. Like a miniature postcard with optical-illusion artwork printed on the front, and your seat numbers scrawled on the back, for instance.

“Oh my god, look at this!” I showed Helen, much to the amusement of the box office lady. “So cute!”

“You and your tickets,” laughed Helen.

Yeah, well, look. Everyone has their vices. Mine just happens to be paper-based-theatre-keepsakes. And I don’t think anyone going to see a play in a library is in any position to pass judgement on that. And the illustrated artwork is really cute. There’s no denying it. What with the little bats fluttering around, and the silhouette of Dracula himself cupping the chins of the two figures behind him.

I shouldn’t complain. Helen has gone with me to some weird spaces for the sake of my marathon: Libraries, barges, the New Wimbledon.

She also bought me a drink.

And a programme.

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The woman is such a fucking angel. Seriously.

Drinks, programmes, and pretty tickets acquired, we followed the signs up the stairs to the room that would be serving as our theatre for the evening.

“Is this the main reading room?” she asked as we dumped our coats and bags.  “Look, you’re not allowed to bring laptops in here.”

“It’s very old fashioned,” I explained, staring at my assigned seat and wondering how I was going to clamber up onto it. It was a tall chair. I am not tall. Nor am I adept at climbing. I can’t see one of these things without wholeheartedly believing that I will fall off and die if I attempt to sit on it.

What can I say? I have issues.

It’s okay though. We’re working through this. You and me. Together.

Yeah, sorry to dump that on you. But I’m giving you some quality content over here, the least you can do is provide me with some unpaid therapy. Don’t worry, you don’t have to say anything. You just sit there and look pretty while I prattle on over here.

I flicked open the programme. God-lord, look at that formatting! Two-spaces after the full-stops! I thought that convention went out with the typewriter. This place really is old fashioned.

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Which is exactly what I want from a library. And even more what I want for a production of Dracula.

The set, such as it is, was simple. A chaise longue (much more reasonably proportioned than the leather monstrosity lurking downstairs), a ladder, a couple of projection screens and, of course… the library itself. With its staircase and walkway and window.

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“That bit in the window!” I gasped when the interval rolled around.

“The window, was amazing,” agreed Helen.

I don’t think I’ll get the image of the screen being rolled up to reveal the shadowy form of Van Helsing standing there, in the dark, peering in at us through the panes of the French window, for a long time.

“And the projections are great,” continued Helen.

“The projections are great.”

“The way they are integrated into the work.”

“Absolutely.” I paused. “Doesn’t he look like Matthew Ball?” I said, referring to The Royal Ballet principal.

“Oh my god, he does look like Matthew Ball.”

“It’s the eyes.”

“And the hair.”

“I like him.”

“Me too.”

“And not just because he looks like Matthew Ball.”

Helen looked at me skeptically.

“I like her too,” I said hurriedly. “She has the most gorgeously vintage face.”

“She does have a very vintage face.”

“They’re both great.”

“They are.”

I reached down for my bag in an attempt to hide my flusters.

“I’m just going to get a photo of that calendar,” I said, slipping off the chair and scuttling over to the wooden pillar which housed a set of date cards.

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This place is so, so old-fashioned.

I love it so hard.

Unfortunately, my little crush on both of the cast members only increased during the second act on the reappearance of the window.

The screen was whipped away. The window opened.

They began to climb out onto the roof.

I gasped. They couldn’t do that! It was raining! They weren’t even wearing coats!

When they reappeared I had to sit on my hands in an effort to stop myself from running after the pair of them with a warm scarf.

The sight of her skirt covered in rain droplets made my heart ache.

I wanted to bake biscuits for the pair of them.

You know I’ve got it bad when I want to bake for people. It’s the Jewish grandmother in me.

They were really cute though.

I’m not sure it’s entirely appropriate to get a case of the warm fuzzies from a production of Dracula, but what can I say… it’s the Goth in me.

It was still raining when we left the library.

Somehow it’s less romantic when it’s you being rained on.

And don’t have anyone to bake biscuits for you.

Tripping the Ecto Fantastic

“Come close,” said a red jacketed usher, looming above us as she stood in the doorway of the van that will serve as our theatre. “I have a little speech to give.”

After my emotional trip to the Studio at the Vault Festival earlier that afternoon I was back, this time in one of their vehicle venues - parked at the end of Leake Street.

I was a little annoyed when I saw how close it was.

After trying and failing to get an answer out of the Vault Festival twitter feed as to how much time I should allow to get myself from a show in the Studio to a show in a vehicle venue, I could now see that time was zero seconds.

The check in point is literally just outside the main doors.

Thanks @VAULTfestival. You’re doing great work there not allowing yourself to get distracted from all that praise retweeting by indulging in a touch of customer service. Really super. Well done.

We do as the usher says, gathering close together - just as much to protect our shivering figures again the cold as to hear about our fate.

There weren’t many of us. Three sets of couples, and me.

“Once you come in,” red jacket continues now that we were suitably huddled. “You’ll be given a short opportunity to leave. But once the lights are off, that’s it. You’re stuck.”

A woman standing near me giggled nervously and her companion for the evening smirks. I’d already clocked the pair of them as out on a first date. She’s into tarot cards and healing. He’s trying to pretend that he doesn’t find that incredibly off-putting.

“If you really don’t like it,” says red jacket, “take your headphones off, and it will draw to a close naturally.”

Suitabley terrified, we were ushered into the back of the van.

A long table covered in a white tablecloth greeted us. Hanging above were dim lights, and bells, both hanging low. And either side - two rows of comfy chairs. With headphones.

“If you’re sitting on the right, take the headphones from over your right shoulder. If on the left, your left shoulder,” ordered the red jacket from the door.

After a little confusion about getting my left sorted from my right, I managed to pick the right (that is… left) headphones.

Further left and right disentanglement followed, matching up the big painted L and R on the phones themselves to my corresponding L and R ears.

“Can you hear me?” came the faint voice of the usher once we’d all managed this challenging feat.

We nodded.

She clapped. “Can you hear that?”

We nodded again. We could. Just about.

“Alright.”

And with that she left, shut the door, and plunged us into darkness.

From the other side of the van I heard a door open, and someone coming in. Footsteps clomped around behind me. I had the remind myself there was nothing behind me other than the solid wall of the van.

An unseen voice instructed us to place our hands on the table. I did as I was told, setting my palms flat against the rough cloth. We were taking part in a séance, calling on the departed souls of our loved ones. We must not remove our hands from the table. That was very important. Or the spirits might break free.

I wasn’t overly fussed about that.

Or calling about the spirits of my loved ones, to be honest.

Any spirit would do me.

I’ve been hankering after meeting a theatre ghost for years. And if this was my time to finally get my ghoul on, there, inside a dark van parked on the end of Leake Street… well I wasn’t about to complain if the ectoplasm dripping on my shoulder belonged to a stranger.

I blinked in the darkness. It didn’t seem to make any difference.

I experimented. Closing my eyes, and then opening them again.

A few feet away, I spotted the glimmer of a light.

Someone had forgotten to turn their phone off.

A second later it disappeared.

The blackness took over.

The voices in my ear grew more frantic. Something was going wrong.

I clamped my hands down hard on the table. It was a touch too far away. My arms ached from being stretched out so long.

I wriggled forward, until my knees crashed against the solid block that was the table. It was really uncomfortable sitting like that. My muscles ached. I needed to move my arms, shake them out, but I didn’t dare.

My heart was hammering.

It was so cold. I hadn't taken my coat or shall off, but the freezing air had seeped under my skin.

I wanted to take my headphones off. I wanted to wrap my shawl tighter around my shoulders. But I couldn’t lift my fingers from the table.

My hands began to tremble.

Was it the cold, or terror? I knew it was all rubbish. No one was there. It was just a recording.

If only it weren’t so dark…

The trembling became a shudder. It wasn’t my hands. It was the table. It was rising up, taking my hands with it.

I bit the inside of my mouth, telling myself over and over that it was okay. 

Noises clanged around us. It was so loud. My fingers twitched as they begged to cover my ears.  

Louder and louder until I couldn't take a second longer... 

The table shook violently as it sank back down to the floor.

The awful clanging stopped.

Something was moving around the room again.

Something… not human.  

And then… and then the lights flickered back on. A faint glow, inching itself brighter until we were left blinking at each other across the table.

The pair on the first date had their hands stowed in their laps. They grinned at each other sheepishly. Those two will go far.

The couple that disobeys together, stays together after all.

The door crashed open. “Everyone out!” ordered red jacket.

We scuttled out of the van, our heads bowed. No one wanted to meet each other’s eyes, lest we reveal how scared we were.

Safely back in Waterloo and juddering off home on the tube, I checked my phone.

I’d tried to take a photo of the inside of the van, but my photo roll was completely empty. It jumped straight from the graffiti of Leake Street to the shadowy outside of the van. There was nothing to show for my time inside.

Now, either that’s just my crappy phone or...

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